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National Repository of Grey Literature

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Journalistic reflexion of selected films by Jiří hubač Václavíková, Jana ; Štoll, Martin (advisor) ; Novotný, David Jan (referee) Diploma thesis Journalistic reflexion of selected films by Jiří Hubač is focused on the reflexion of Hubač's work coming from the 1970's Czech media. Jiří Hubač was the important figure in original work produced by Czechoslovak (ČST) and Czech TV. He was scriptwriter and dramaturgist, he has also written theatre scripts and is the author of two books. From his numerous work, I can name Ikarův pád, Babí léto,Nezralé maliny or famous serie Sanitka.This diploma thesis is focused on 1970 media and the way they reflected Hubač's work after its TV premiere. I chose following movies: Dlouhý podzimní den, Pozdní léto, Lístek do památníku and Ikarův pád. Analyzed journalistic reflexions were chosen from print media as was Rudé právo, Mladá fronta, Zemědělské noviny, Práce, Tvorba or Československá televize. The time period, 1970's, was chosen because of various factors - Hubač had to leave the ČST, but on the other hand the received multiple awards for this work. The analyzed media were choose for its availabilityand the focus their employees were standing for. Detailed record

Television drama in Czechoslovak specialized discourse of the 1950s and 1960s Jiřiště, Jakub ; Svatoňová, Kateřina (advisor) ; Klimeš, Ivan (referee) Thesis deals with basic tendencies and preconditions of the aesthetic development of Czechoslovak television drama of the 50s and 60s through its specialist reflection. The method of a discourse analysis which is applied to the area of aesthetics and inspired by the concepts of Michel Foucault and Achim Landwehr maps locally- and time-based field of the discourse about television drama and penetrates surface relations between subdiscourses (television criticism, television theory and influences of institutions) with the aim to capture the formative order of the discourse. A basic axis of the analysis is the evolution of the concept of television specifity which will be tracked through the crucial discussions of the period. They reflects a gradual revision of initial assumptions about the formal emancipation and the legitimacy of art of television. The next step of the analysis is the mutual comparison of solutions at which these discussions arrived via various aspects and methods. This way a second goal of the discourse analysis will be fulfilled - to trace the essential unity of the discourse which is represented by the complex of jointly asserted requirements about the ideal form of the television drama. The complex is possible to consider as an implicit poetics of Czechoslovak television drama... Detailed record

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